![]() Even the profanity-laced "Look at These Hoes" seems to straddle the line between loathing material excess and embracing it in that case, the result feels deadpan to the point of half-heartedness. Hand it to Santi White: If shes pursuing stardom on a. Audio for this feature is no longer available. She excels at catchy pop music, much closer to ’80s femme-rock and new wave than the watered down world tunes to which critics occasionally allude and play up. Santigolds new album, Master Of My Make-Believe, comes out May 1. White is comfortably ensconced in sight of the mainstream’s lowered bar. It's as if pop music caught up with Santigold's sound, and she tacked left to avoid the glare.Īs uncompromising in her own way as M.I.A., whose music attacks more viscerally, Santigold seems ambivalent about most everything she touches on Master of My Make-Believe - especially success, if "Fame" is any indication. Because there isn’t much that makes Santigold’s music exceptional, and it’s not designed to be. ![]() ![]() The artist formerly known as Santogold now calls herself Santigold, and took an eternal four years to follow her frequently dazzling debut, only to strip her second album of the ingratiating fizziness that marked songs like "Lights Out." Master of My Make-Believe, out May 1, has its playfully bouncy moments - she says it's inspired in part by a trip to Jamaica - but its overall tone is one of severity, even solemnity. Hand it to Santi White: If she's pursuing stardom on a massive scale, she's forgoing the easiest routes. ![]() Santigold's new album, Master Of My Make-Believe, comes out May 1.Īudio for this feature is no longer available. ![]()
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